![]() ![]() In addition, Aubert hints at powerful socio-political themes in the film’s finale that imply that even the undead are trying to escape their suffering by filling a void. īonin’s pensiveness and unusual acceptance of his species’s plight subverts the stereotypical militant savior type often used in this genre, and he conveys a painfully relatable existential angst with great candor. Aubert doesn’t shy away from human-zombie conflict, but his decision to move most of those scenes off-screen makes the monsters all the more unnerving.īonin (Marc-André Grondin) looks for other survivors in Ravenous. But these aren’t the lethargic, drooling creatures often depicted in film-they’re terrifyingly fast ones that can also move stealthily enough to ambush their prey. We follow a man named Bonin (Marc-André Grondin) as he searches for other people and steers clear of zombies that seem only to respond to sound. The zombies in this French gem are rarely seen on screen because director Robin Aubert chooses to focus on the few survivors left in a remote village in northern Quebec, and that strategy pays off. Ravenous is another international zombie film, and it also stands out from its saturated genre due to its fatalistic tone. Here are the top five indie Netflix Originals streaming now.īonin (Marc-André Grondin) looks for other survivors in “Ravenous.” You deserve to watch compelling, well-made independent films on Netflix no matter how much the company attempts to bury them beneath a mountain of forgettable content. Some of the most egregious offenders include Bright, Bird Box, Project Power, Spenser Confidential, Hubie Halloween, and The Midnight Sky. Then they’re inevitably let down by films with muddled plots, lazy characterization, and little to no philosophical substance. First, Netflix force-feeds them Originals with recognizable faces and alluring visuals until scrolling fatigue sets in and they select one. Unfortunately, Netflix has begun imitating the traditional studios by nabbing big-name stars for marketing purposes and inserting them into poorly written films because they know their subscribers will show up for certain actors.Īfter all-consumers can feel like they have no other choice. However, those have proven to be few and far between. ![]() Some of these “Netflix Originals,” such as Okja, Marriage Story, Da 5 Bloods, Mank, and The Trial of the Chicago 7 justify their big budgets with inventive writing, provocative acting, affecting visuals, and plenty of award nominations. They’ve produced nearly 500 original films, many of which they market on social media and showcase on their app’s homepage. The streaming giant released 2,679 hours of original movies, TV series, and other productions in 2019, and their output has steadily risen over the past five years. Netflix doesn’t do itself any favors, either. Not only do its invisible mechanics curate the titles that appear on your home page, but its presumptuous AI goes so far as to label each item with a score that theoretically reflects how well it matches your aesthetic palette. Netflix is the most popular streaming service on the market, but it can make the process of selecting your night’s entertainment needlessly arduous. ![]() Even the most focused browsers can find themselves lost in the weeds. Algorithms that supposedly know your tastes better than yourself present wave after wave of movies and series spanning all genres and eras. Generally, I’d suggest watching this sucker closer to Halloween, but since we’re halfway there, why not indulge? Scream: The Series alums Tony Todd and Bex Taylor-Klaus both show up in this one.Sifting through the glut of content available on streaming services can sometimes feel like more work than it’s worth. Hell Fest is nasty, fun, and won’t bore you for a minute. This old school American slasher hails from filmmaker Gregory Plotkin and concerns a group of Halloween-night thrill-seekers who visit a very sketchy travelling spook house. One of the films currently available to watch which needs more love has got to be the 2018 release Hell Fest. Today we’re counting down the ten best modern under-appreciated horror gems floating through the world’s largest streamer. If you’re looking to investigate some Netflix horror selects that you maybe haven’t seen a million times, but that are still watchable, then we’ve got you covered. While the first few pages of selections are stacked with the usual classics, what lays beyond can feel like a bit of a crapshoot. For better or worse, it can feel like there are countless horror titles to choose from on Netflix these days. ![]()
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